Grey

Grey

The sun goes down at 5:23pm, and the temperature is an unseasonable seventy degrees. The skies feel hungover, damp and grey, which matches my mood. Yesterday a man who smelled like gasoline attempted to enter the Capitol with a flare gun. A few hours later, my country elected another man to do more or less the same. Again.

Materially, my life is the same as before. I trade encouraging nods with joggers as I run my morning laps around the pond. Strangers make room for each other at the supermarket. But my mind is stained with suspicion. Did you vote for him? Did you want this? This is the zone of horror: the inability to see the world as others do and vice versa.

I feel like a fool for allowing myself to hope for a few weeks, mainlining punditry from CNN and The New York Times and The Guardian, assuming we would choose consensus-driven reality over the poisonous feedback loops and silos of the internet, where the extreme left and right have driven each other into madness. But now I must accept that I’m the one who’s been living in a silo because the internet has won.

Guanyin of Eleven Heads
National Museum of Asian Art, Washington DC

Guanyin of Eleven Heads

The bodhisattva was so overwhelmed by the suffering in the universe that the deity’s head split into eleven pieces. But then, seeing the deity's plight, the buddha gives Guanyin eleven heads to better hear the cries of those who suffer—and a thousand arms to help them.

Autechre’s “VLetrmx” is the correct song for contemplating the horror and beauty of living in the future.

"The piecing together of dissociated knowledge will open up such terrifying vistas of reality."

"The piecing together of dissociated knowledge will open up such terrifying vistas of reality."

I’ve never read HP Lovecraft. I understand him only as an early twentieth-century landmark that casts a long shadow over cosmic horror and as a man who held some noxious views, perhaps even for the early twentieth century. I am, however, reading Eugene Thacker’s extravagant meditation on cosmic horror, and he includes a paragraph that Lovecraft wrote in 1928 as the opening paragraph of The Call of Cthulhu. A century later, it sounds like my relationship with the internet.

"The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but someday, the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the light into the peace and safety of a new dark age."

I understand less and less these days, yet I know too much: a blast on the other side of the world, shootings across the nation delivered like the weather forecast, something awful somebody said thirty years ago, the sexual lives of politicians, the opinions of a distant acquaintance on Israel, the fact that a body found in an Ohio nature preserve turned out to be a discarded sex doll, and so on.

Are we standing on the precipice of a new dark age? Probably. I often catch myself thinking, yes, this is what a society circling the drain feels like, and in America, these nineteen days before the election feel genuinely existential.

But there’s a phrase from Don DeLillo that refines Lovecraft’s prophecy: “Too much of everything from too narrow a source code.” Which means it’s time to step away from the screen.

Track ID

Track ID

Someday I’d like to be an old man who sits in museums with a sketchpad and tries to draw the paintings. In the meantime, I’m trying to identify a song that surfaced in my speakers the other day, a burst of fuzzed-out psychedelia in a language I do not recognize. After two minutes and eighteen seconds of pure delight that sounds like the Platonic ideal of 1971, it abruptly cuts out.

The filename is 10A - 126 - Download, and there’s no other metadata. My mp3 library is about to turn 25 years old, and with over forty thousand tracks, I have no idea when or how this song entered my life, and artificial intelligence knows nothing about it. So I turn to you in the hope that the Information Superhighway is not yet totally useless: I’m offering five American dollars and a mountain of gratitude to anyone who can identify it for me.

audio-thumbnail
10A 126 Download
0:00
/138.168

A Tale of Judgment and Grace

A Tale of Judgment and Grace

I was at the library, pretending to write. The man at the table across from me was on a Zoom call, and he was loud. Pushing fifty and sunburnt. Fancy haircut in a pink polo and khakis. He brayed into his laptop about quarterlies and metrics and clickthrough rates.

Hearing half of a conversation hijacks the brain: it struggles to fill in the gaps so it can file away the voices as background noise. But it can’t. Or at least mine can’t.

So I became convinced this sunburn with teeth was the avatar of the utter lack of care or even bare-minimum awareness of other human beings that has poisoned public life. This was the antichrist, I thought. Yes, this man was what the end of civilization looked like.

I decided to say something. But first, I needed to make sure the people were with me. A woman two tables away nodded in the man’s direction and rolled her eyes. Good enough. I was ready to stand up. Tell him to knock it off. The muscle fibers in my thighs twitched, about to rise.

Then a child appeared.

I don’t know anything about children, but this one was three feet tall, and I think it was a girl, although it was difficult to say because a bandage was wrapped around her bald head and her skin was grey save for the purple rings under her eyes. She wore a gown with a chunk cut out to accommodate a machine that sent tubes into her nose, and she cradled an armful of books as she toddled up to the antichrist’s table, grinning so wide it made me smile too. “Daddy, look at all the cool books I found!”

I hung my head, and when I looked up again, the antichrist had become a saint. An exhausted father just trying to do his job while looking after his sick kid.

I thanked something I don’t quite believe in for saving me from myself and sparing that child from a scene of me haranguing her dad about civility. I made a promise to do my best to treat everyone as if they're dealing with something heavy. Because they are.

But it’s hard. Hating that man was easy. I enjoyed it. I could have turned up the volume on my music and focused on my work. Instead, I removed my headphones to be more fully annoyed. Why?

Because righteousness feels good. Righteousness is intoxicating, oftentimes addictive, because it provides a sense of purpose, even when its premise is false. And this is far more likely to lead us to societal collapse than some middle manager on a Zoom call at the library.